Peter Bogdanovich on the late Blake Edwards

from indiewire

by Peter Bogdanovich

“How do you thank someone for a million laughs?” With the passing of Blake Edwards, one of the very last survivors of the golden age of pictures has gone. At 88, he had seen the whole parade: his grandfather was a silent film director, his father was in the business, and Blake started out as an actor in the 1940s, eventually turned to screenwriting—-quite successfully—-and then to directing in the mid-1950s. Over the years, he had an impressive array of popular and superbly made pictures, including Breakfast at Tiffany’s (probably Audrey Hepburn’s most iconic appearance), Operation Petticoat (Cary Grant’s biggest box office hit), 10 (which made Dudley Moore a superstar), S.O.B. (which bared wife Julie Andrews’ breasts and skewered Hollywood mercilessly), Victor/Victoria (a taboo-breaking gender-bending farce that he transferred successfully to Broadway as a musical), and, of course, the glorious Pink Panther series that started in the 1960s and ran throughout the 1970s (giving Peter Sellers his most devastatingly funny incarnation as the hopelessly bumbling Inspector Clouseau).

I first met Blake on the set of his comic extravaganza, The Great Racemore

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